Jock's ravenous hunger leads him to a nearby, quaint suburban home. But everything's not as it seems. Can Jock handle the mighty Pwecious!?!







© Frank Reynoso, Jan. 2009, All Rights Reserved
Comics, Illustrations and Writings







The latest issue of The Indypendent is out now. With cover art by Lynne Foster and illustrations by Christine Hale, Tim Durning, Leo Garcia, Louis Joe Comeau IV, Brian Ponto, and Jaume Guerra aka Guerruntz.
While preparing my portfolio for the upcoming New York Comic Convention, I penciled this piece just for the fun of it.
This is an illo I did for North American Congress for Latin America (NACLA). Needless to say, the magazine deals with the US's relations with Latin America. It's a solid magazine with great, intelligent writing.
One of the things that kept me busy lately was writing this review of the NYC Horror Film Fest for The Indypendent. Below is an excerpt.
Modern monsters (psycho-killers, zombies, urban legends, etc.), a staple of the genre since the 1960s, were well represented in notable films like the action short First Kill, the eerie feature From a Place of Darkness, psycho-short Drip, and the apocalyptic short Antibody. Bmovies — a volatile blend of horror, gusto and laughs — excited audiences with Frank Henelotter’s Bad Biology winning Best Feature and Zoe Polley’s teen gorefest Devil’s Grove. The horrific whodunit Surveillance by Jennifer Chambers Lynch and the monochromatic, antiwar, pantomime Hold Your Fire by Jesse Gordon spoke to fans of intense horror.
Multi-genre films, particularly the sci-fi/horror hybrid, pushed expectations and won audiences over with each showing. The 1980s scifi satire/homage short Martians Go Home follows a sci-fi nerd’s battle with hostile space zombies. Harry Owen can’t escape his short-film existence in the humorous meta-fiction The Glitch. Eel Girl is a sleek and humorous horror- short-cum-music-video. Audience Choice-winning feature Time Crimes (Cronocrimenes) by Spanish director Nacho Vigalondo is a mind-bending mystery that brings out the best of both genres.
1. I read the text and got a sense of the messages conveyed in the story. (Sometimes the full text isn't ready so an outline or synopsis is all I have to work from.)
2. I plunged into pencils. I went online and used five reference pictures of Bloomberg to make sure I got his likeness. (Note: use multiple references to avoid legal troubles.)
3. Using a couple of brushes, acrylic ink and a micron pen, I inked the bugger.
4. I scanned it in, cleaned up any blemishes, erased a stray line at the bottom and bumped up the contrast.
Driven by biological excess, a young man and woman search for sexual fulfillment, unaware of each other's existence. Unfortunately, they eventually meet, and the bonding of these two very unusual human beings ends in an explosive and ultimately over-the-top sexual experience, resulting in a truly god awful love story. Directed by Frank Henelotter

Last night's election kept me from posting new stuff. At any rate, here's a pencil of Venom.





A while back, James Spruill and I made a comic titled Buenas Noches. We debuted it at this year's MoCCA Fest.

Here's my one-page comic response to voting.